Tuesday, January 18, 2011

Shania Twain Ancestry French

hell: U.S. channel The CW adapted DANNI Lowinski

The American cable network The CW will adapt to the Sat-1 Series Danni Lowinsky. According to this report the media page DWDL this is the first adaptation of a German series of a U.S. station since the invention of the wheel.

course would save The CW and the money, change the title and just do so as if by chance or even earlier would have had exactly the same idea .* You have however opted for the legal and decent variant where you have to pay money and stuff.

What Annette Frier with Kathy Bates in common and why German series are so boring ... depressing me these questions and comments to move immoral excesses in length. So I had to hide behind the rest of the following entries:


was funny but I (we're on the subject Stromberg, plagiarism and so) a bit taken aback when I on tvline of Harry's Law, the new series from David E. Kelly (inventor / author of Ally McBeal, Boston Legal) las : "The series stars Oscar winner Kathy Bates as Harriet Korn, a patent attorney Whose bad attitude lands her on the street, where she ultimately sets up a storefront law firm-slash-shoe store. "

I do not know whether it was the fact that I this book minutes after the message with the adaptation of Danni Lowinski read but somehow there is some similarity here but

(By the way: YAY, KATHY BATES). Lowinski is Danny ( according to Wikipedia ) "a learned haircut that made up the school at night school and graduated from the Second State Examination in Jura successfully added. Now they want to work as lawyer finds in the highly competitive job market but no post. "

I've only seen one episode but it was evident DL that her office is more or less illegal in a shopping arcade / mall. Lowinski is apparently for the little guy or the little woman (ohmeinGott, there is a dwarf episode?) And precipitated by their unadjusted appearance in court and everywhere else on. Ultimately

is probably the figure of the female outsider who start on their own from scratch, the only thing that links the concepts of Marc Terjung and David E. Kelly. Terjung, is regarded as creator of "Edel & Starck" and "The Practice" and even a little bit when the German David E. Kelly. And never mind the fact that it is in both cases is just to lawyer series, it is interesting that here have thought of both authors very similar basic constants.

But probably see it more appropriate to the differences of both series. Kelly describes his show in conversation with tvline further: "I've seen the show wherein as being about a woman who leaves her high-paying job to fight for the little guy, and that's really not the case, "(...)" It's about a woman who got kicked out onto the street and the little guy is the only client she can get at the beginning. As she moves up - and as Jenna carve out a successful shoe store -. You will see more diverse clients "

Some one or one might ask" but where are the hidden behind Klokabinen secret room where the eccentric character and mental defects? ? And where is sex and gender (a potential cafe name?)? all here. Respectively. The latter is there. Kathy Bates' character Harry was a question of time as a man . Sunday and now that that's clarified, I must say the whole thing sounds like a bit more exciting than "Danni Lowinski. But also very different.

The division into different genres of TV series in my opinion anyway more difficult than with movies. Many of the best series break on genre conventions and remain the only show of its kind

That probably has something to do with that damn are many spectators and good conditions together have enabled a series and at first some seasons or in the first place can run a whole season long and can not. Whatever. Often we compare in the end, only apples and oranges.
(In contrast to a comparison between, say, (BBC) The Office and Stromberg .*)

Lowinski Danni is just no creation David E. Kelly 'but Marc Terjung. And a success for the telling original stories in a clever country that is overwhelmed with the centenary of regurgitated version of identical thrillers. Danni Lowinski is not only universal but also a German history. With people who speak our languages and dialects. Landscapes, relationships and situations in which we find ourselves again in concrete terms.

Currently there are more promising American series than I can ever see it. But it's something else to hear characters talk the way I each Day for 20 years at school, at university, my family, friends, shopping or in the S-Bahn hear, just as people only listen to so and see how I know it from other series or television.

One of the things that had me in Inglorious Basterds so fascinated by the fact that a huge chunk of the film was actually German. My joy has nothing to do with nationalistic sentiments. It has to do something but with emotional reality and deep sensual anchor of language. And with the federal government the reality of my life and the fictional reality of the story is told me.

now expected the narrative power serial Storytelling on television to be a secret any person. And yet you feel as a spectator and ... I'd say the customer is not just a passion for German television, high-quality serial narrative, if one listens to the station managers or read their interviews.

Danni Lowinski may be a bright spot and will hopefully some programmers and editors courage to tell unusual stories and honest series. But we also need to do nothing before, as far as the ambitions of the transmitter.

Take for example Frank Beckmann. He is responsible for teen programming in the ARD. It is a small example for the understanding of the serial Narration, which is on public and private broadcasters apparently spreading far:


[the excerpt is from an interview with Frank Beckmann DWDL led to the transformation of the previous evening in the ARD :]
> >
The basic concept of regional crime has recently been concretized as "Crime and Smile." What may be thought of this?

The ARD has a great strength in the series expertise that we want to play again in the future the previous evening. It would be foolish in the strength of the regional version, which we demonstrated every Sunday with the "crime scene" evidence, not to use elsewhere. If we in the fictional color then work out also the subject of humor a bit more than other stations, then we have a format that suits the day before and which we hope will be very strong with little time and fine tuning can. However, it is - and I must emphasize again and again - be a process that will span several years.
(....)
proposes But the regional crime not in a similar line as the "Soko" series, "Hamburg Dockland" or the "Rosenheim Cops"?

The market on the eve but is distributed and is about to offer something that does not exist yet. We will be with us rather to emphasize the humor, color, because we believe this gap in the market. We do not look to a single transmitter, but there are overlaps of different providers. Finally, we make no "Soko" and "CSI: Miami," but something that is currently available anywhere. Quiz and humor are the themes that we can first set right now.


you said that the new series will make connections to the main program and the third party. What should the connection? Gets a "crime scene" minor figure her spin-off in the eve?

Not really, because we are guided not only in content to the model "city area". It is also about the production and financing. The "urban area" has its first appearance in the early evening and will be repeated successfully in the third of the NDR. The same is true for prime time series the First: If you fit the profile of the previous evening, we could also play there For me it is not reasonable, why could run as the "Forbidden Love" in a longer version only in the evening before the moment we are looking for concepts,.. how we integrate this content into other program areas or play in the third party may, where it also can score again. \u0026lt;\u0026lt;

The only positive thing I can see these sentences is that, according Michael Seewald and the FAZ article there is a chance that the series' Munich 7 "by Franz Xaver Bogner (the I think the best television producers in Germany) could possibly run into on the eve of the ARD.

Although the actual decision would be sensible to bring Munich 7 between 20.15 und 22.45 clock clock in the ARD on one of these slots are usually so inspired shows like "Family Dr. Kleist" is sent to them.

is pretty cool and the sudden discovery of humor in the ARD.

In their inaugural interviews Monika Piel has recently spoken of it, that in the WDR, a new crime was planned, which will play in the pot and (therefore) as an outstanding property should be fun above all.

Hahahahah Hahahah Hahahah Hahaha. Hahaha. Haahaha. Hahhahahhaaahahhahaa.

If the most important basic considerations in developing a program of a channel for new series, the distinctive aspects such as "regional" or "funny", then need not be surprised if batches come of it, which are about as original as a tupperware box.

Oh. These people depress me. And so I stop now even better. Good night. In the literal and proverbial sense.



* The Faux Pas Stromberg is really a great moment stupid or brazen audacity and stupidity Arschlöchrichkeit and somehow amusing. The Internet contains remarkably few traces and evidence of the idea of Klaus in 2004. Ricky Gervais writes on his page "I must say I was very surprised when I saw the new Unauthorised version. It's not like the Germans to just march in and take something that is not theirs." , the incident has been mentioned in the German and the English Wikipedia entry but no named sources. I would be interested if it actually Pro Sieben claimed the concept was based on his own sitcom idea of '99. Haha. The negroes ate my ticket. (In this case, probably not.)



** In the interests of fairness I must say that Stromberg has indeed taken quickly but then his own way. (Gervais' original indeed existed not so long.) I like the series still does not. Herbst Stick is as surprising and entertaining as a pancake and the episodes that I saw were the suspense and stories developed as uninteresting as in most other German series as well. But I will not say more negative things to it because Stromberg should stand by its status as a non-crime series, despite all the crimes against the common sense in my eyes protected.

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